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Jose Drouin

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Artist’s Statement

My work consists of two interdependent parts. On the one hand, as a craftswoman, each day I wedge, throw, shape, glaze, trim and fire my pieces. On the other hand, underlying this daily work is a long quest nourished by the hope that I can create living objects in which other human beings can see themselves, living traces, a familiar presence. My main sources of inspiration are forms evoking other cultures, as well as human and animal figures. I hope that the piece of my pottery you purchase will bring you enjoyment for a long time to come.

Raku Technique

Raku is a centuries old firing technique developed by the Japanese. The pieces of pottery are fired outdoors in a kiln fueled by wood or propane. The pieces are heated very quickly to the red hot stage and while the glaze is still molten, they are pulled out of the kiln and into the air. The iridescent colors and/or crackle surfaces are a result of the chemical reaction of the glaze materials oxidizing when the posts are removed from the kiln. To stop the oxidation process and control the surface effects and colors, the pots are then placed in a pit or container, covered with combustible materials and sealed airtight with a lid. This is called a reduction atmosphere. This reduction of oxygen stops the flaming and produces thick black smoke which permeates the clay body and produces the unusual, spontaneous surface effects.

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