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Steve Irvine

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Born Hamilton, Ontario. Began working in clay in 1968.

Exhibitions

A total of over 60 solo, group and invitational exhibitions between 1971 and 2006. A major solo exhibition in 2005 of my clay and photography, Collaborations with Chaos at the Tom Thomson Memorial Art Gallery, Owen Sound, Ontario.

Awards
2003 •SkyNews Magazine, Editors’ Choice Photo Award.
1993 •Ontario Arts Council Crafts Grant for travel and study in Denmark and            Norway.
1990 •The John Mather Medal and Life Membership awarded by the Ontario            Craft Council.
         •FIREWORKS 90, Purchase Award, FUSION: The Ontario Clay and            Glass  Assoc.
         •Awarded a Life Membership in the Burlington Potters' Guild.
1989 •Ontario Arts Council, Creative Artists in School Grant , Wiarton Public            School.
1988 •Stratford Clay Award of Merit, Centre Pieces, Chatham Cultural            Centre and the Ontario Crafts Council.
1987 •Volunteer Service Award, Prov. of Ontario, Ministry of Culture and            Communications.
1986 •Ontario Arts Council, Crafts Grant to provide time for the            development of new handbuilt forms.
1985 •Ontario Arts Council, Crafts Grant for study and travel in Australia.
         •Ontario Arts Council, Creative Artists in Schools Grant for teaching at            Owen Sound Collegiate and Vocational Institute.
1984 •Ontario Arts Council, Crafts Grant for study and travel in England.
         •Canada Council, Visiting Artist Grant for lecture at Canadore College.
         •Ontario Arts Council, Creative Artists in Schools Grant for teaching at            C.M. Hincks Treatment Centre, Thornbury, Ontario.
1983 •Best Stoneware, Ontario Crafts Council Regional Exhibition.
         •Ontario Arts Council, Material Assistance Grant.
1981 •Best Functional Pottery, Ontario Craft 81.
•Best in Clay, Ontario Crafts Council Regional Exhibition.
1980 •FIREWORKS 80, Purchase Award, FUSION: The Ontario Clay and Glass Assoc.
1976 •Down to Earth, Purchase Award, FUSION: The Ontario Clay and Glass Assoc.
1975 •Best in Craft, Art Hamilton 75.
1973 •Best Student Work in Show, Canadian National Exhibition, Toronto.
1972 •Best Sculpture in Show, Canadian National Exhibition, Toronto.
         •Scholastic Achievement Scholarship, Sheridan College School of            Design.

Teaching

Lectures and workshops given to over 50 organizations in Canada and Australia.

Publications

2006 •Fusion Magazine, vol.30 no.1, pg. 22-23, Book Reviews , A Potter’s            Workbook by C. Illian; Crystalline Glazes by D. Creber.
2006 •Ceramic Review Magazine, Jan./Feb. issue 217 pg. 48-51 Balance and            Chaos
2005 •Fusion Magazine, vol.29 no.3, pg. 4 Reflections on 30 Years. Also pg.           44 Book   Review, A Potter’s Book, Bernard Leach.
2005 •Ceramic Review Magazine, Jul./Aug. issue 214 pg. 14 Gallery image
2005 •Pottery Making Illustrated, May./Jun. vol. 8 no.2 pg. 24-28 Say Clay!            Make a Ceramic Pinhole Camera. Cover article.
2005 •Sky and Telescope Magazine, Mar. vol.109 no.3 pg.135 Aurora photo.
2004 •Pottery Making Illustrated, Mar./Apr. vol. 7 no.2 pg. 31-33 Gold Leaf            Application.
2003 •Fusion Magazine, vol.27 no.2, A Makers Statement.
           Steve Irvine, page two. Publications continued
2003 •Natural History Magazine, Mar. vol. 112 no.2 pg. 32 Analemma photo.
2002 •Sky and Telescope Magazine, Feb. vol.103 no.2 pg.132 Aurora photo.
2001 •Journal of the Royal Astronomical Society of Canada, vol.95 no.6            pg.273 Analemma in the Sky.
1992 •Exhibition Catalogue, The Colour Show, Tom Thomson Memorial Art            Gallery.
1990 •Surface and Symbol, vol.2 no.3, The Importance of Ceramics.
1989 •Fusion Magazine, vol.13 no.6, The Trials of Jurying, book review.
         •Craftnews, vol.14 no.4, What does it mean when the juror says no?
         •Surface and Symbol, vol.1 no.1, What does it mean when the juror            says no?
1988 •Fusion Magazine, vol.12 no.5, What does it mean when the juror           says no?
         •Ontario Craft, vol.13 no.1, Robin Hopper: Ceramic Explorations,            review.
1987 •Ontario Craft, vol.12 no.4, Ontario Arts Council Soundings.
         •Ontario Craft, vol.12 no.3, Stephen Hogbin Set Design for Alice in            Wonderland.
         •Craftnews, vol.12 no.5, Woodfire 86, book review.
         •Fusion Magazine, vol.11 no.4, front cover photograph.
         •Fusion Magazine, vol.11 no.1, A Potter’s Travels in Australia.
1986 •GBAC Forum, June/July, A Potter’s Travels in Australia.
1985 •Pottery in Australia, vol.24 no.3, The Creative Process.
         •Fusion Magazine, vol.9 no.6, A Potter’s Travels in England.
         •Fusion Magazine, vol.9 no.2, The Ontario Potters Association            Permanent Collection.
1984 •Ontario Craft, vol.9 no.4, Two Approaches to the Creative Process.
         •The Crafts Report, vol.10 no.103, Potter Finds Wholesale Gives Him            More Freedom
         •Fusion Magazine, vol.8 no.2, Surface Design and Pattern.
1983 •Fusion Magazine, vol.7 no.4, Why I Wholesale.
         •Chickadee Magazine, vol.5 no.1, front cover photograph.
1982 •Craftnews, vol.7 no.4, A.A. Robineau, Glory in Porcelain, book review.
1981 •Craftnews, vol.6 no.6, Why I Wholesale.
1980 •Ontario Potters News, vol.4 no.5, Potters Hold June Symposium.
1979 •CCC Artisan News, Sept./Oct., Potters Hold June Symposium.
1974 •Ceramics Monthly, vol.22 no.3, Extended Throwing.
         •Tactile, vol.8, Gilhooley Workshop.
1972 •Tactile, vol.6 no.3, Extended Throwing.
1969 •Tactile, vol.3 no.6, Smoke Firing.

Miscellaneous

•Work represented in the books: “Studio Ceramics in Canada” “Making Marks” “The Complete Guide to High-Fired Glazes” “500 Bowls” “500 Teapots” “The Ceramic Spectrum” “Appearance & Reality”
•My photographs have also been used in Canadian, U.S. and U.K. science texts published by Chenelière/McGraw-Hill, McDougal Littell, and Pearson Education and are also used in the British AQA assessments for middle and college students.
•Designer and webmaster for several internet sites.
1995-99 •Elected to the Board of the Owen Sound Artists’ Co-operative,                 Chairman.
1992 •Guest curator for a multi-media exhibition: The Colour Show, Tom            Thomson Memorial Art Gallery, Owen Sound, Ontario.
1988 •Elected to a two year term on the Ontario Crafts Council Board of            Directors serving as Chairman of the Editorial Committee.
1986 •Elected to a two year term on the Ontario Crafts Council Board of            Directors.
1982 •Elected President of FUSION: The Ontario Clay and Glass Assoc.
1980 •Elected to the Board of Directors of FUSION: The Ontario Clay and Glass Assoc.
1974 •Established a full-time studio on the Bruce Peninsula.
1971 •Began three years of study as a ceramics major, Sheridan College            School of Design.

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